Dating from 1172 (if not earlier), it reached its current height of 82 metres in 1444. In Palladio’s building, the effect becomes especially visible at the corner arcades. architecture | history | imaginary travel. The completed façade reveals a very ambitious design for the palazzo. This structure stands in the most representative place in Vicenza, on the Piazza dei Signori. The stage is surrounded by a terraced auditorium, framed by a colonnade and frieze adorned with statues. The upper floor of the Palazzo della Ragione is entirely occupied by a large hall, raised by large archivolts and with no intermediate supports. Some authors have stated that the Teatro Olimpico was the first purpose-built theatre in Europe over a thousand years. Palazzo Leoni Montanari often hosts some exceptional exhibitions. Palladio hid the original Gothic structure by adding an outer shell of a loggia and a portico. Here appears for the first time the closure of the side of a loggia with a wall in which an arch is opened. In recent years it has mostly been used for exhibitions (if not to mention the goldsmiths’ shops on the ground floor). Statue of Palladio by Vincenzo Gajassi from 1859 next to the Basilica Palladiana. Il Corso Andrea Palladio prende il nome non solo in onore del celebre architetto – è anche fiancheggiato da numerosi palazzi che furono costruiti dal grande maestro o che risalgono per lo meno a suoi progetti. Visita i Palazzi Palladiani di Vicenza con una guida locale: scopri i tesori del Palladio Museum, Palazzo Chiericati, le Gallerie d’Italia VicenzaTourGuide Associazione guide turistiche autorizzate per Vicenza, provincia e Ville Venete Il Palladio Museum di Vicenza organizza un corso di alta formazione online rivolto alle guide turistiche e dedicato a “Palladio a Vicenza”. Gli itinerari guidati si tengono ogni fine settimana dal 20 aprile al 13 ottobre. The interiors are exquisitely decorated. Palladio’s design of the scaenae frons permitted perspective views through its openings but he left no indication about how exactly these should be carried out. Even though it looks perfectly symmetrical, it actually has certain variations (such as in the façades or in the width of steps), designed to allow each façade to complement the surrounding landscape. This is the only palazzo in Vicenza that Palladio succeeded in executing in entirety. Only the façade survived. The back façade is structured in the same way and has a great double-storey loggia. Per vedere quali cookie utilizziamo e quali sono di terze parti visita la nostra pagina dedicata. Here, Palladio faced the theme of the central plan, which until then had been reserved for religious architecture. Planned in 1580 by Andrea Palladio, built in 1580-1585 by Vincenzo Scamozzi. This was in complete contrast with buildings such as Giacomo Barozzi da Vignola’s Villa Farnese (planned in 1556-1559), which clearly dominates over the landscape in Caprarola near Rome. He divided the atrium into three aisles, and he placed centrally four Ionic columns, which allowed the reduction of the span of the central cross-vaults, set against lateral barrel vaults. La proposta di visite guidate per il 2013 offre due differenti itinerari a … Via della Rotonda 45 The side façade overlooking the narrow Contrà del Monte has four lower semi-columns. The walls have excellent stucco decorations, and the ceiling is coffered. The north portal of the cathedral is formed by two Corinthian pilasters and a high entablature adorned with a mascaron and festoons. In the planning of Palazzo Chiericati the close friendship also meant that Palladio was given relatively free hands in artistic terms. Palladio per mano e Palazzi dell'arte - Visite guidate in centro storico a Vicenza Dal 20 aprile al 13 ottobre 2013. Iscritto nell’elenco del Patrimonio Mondiale nel 1994, il sito inizialmente comprendeva solo la città di Vicenza, con i suoi 23 edifici attribuiti al Palladio, e … The villa is a completely symmetrical building with a square plan and four façades. Parts of this structure are still visible. Scopri di … The Valmarana Chapel is thought to have been designed by Palladio in 1576, after the death of Antonio Valmarana, one of his patrons. Il corso prevede otto lezioni (ciascuna di 45’ con 15’ per eventuali domande) articolate su quattro appuntamenti: The rest, including Palladio’s additions, has been reconstructed. The side façade, the design of which is based on that of Roman triumphal arches, features the allegorical statues of the goddesses of victory and peace, to commemorate the victory of Venice and Spain over the Ottoman Empire in the Battle of Lepanto in 1571. Man kann sich sehr gut anhand der Schilder „Itinerario Palladiano“ orientieren – es gibt zudem einen Stadtplan , auf dem die Palazzi verzeichnet sind. At age sixteen, in 1524, he joined the masonry and stonemason’s guild of Vicenza. The Loggia Valmarana was constructed outside the city walls of Vicenza in a garden that belonged to the Valmarana family (today known as the Salvi Gardens). The upper-floor loggias are in Ionic order. Its oldest part is the leaning tower, known as the Torre Bissara. On the inside, there is a courtyard surrounded by a majestic arcade on two orders. The rectangular stage has a majestic scaenae frons with a central archway (also known as the Porta Reggia), smaller side openings, columns and semi-columns, aedicules with statues, and panels with bas-reliefs. His designs for palaces (palazzi) and villas, notably the Villa Rotonda (1550–51) near Vicenza, and the treatise The Four Books of Architecture made him one of the most influential figures in Western architecture. Andrea Palladio, one of the most influential architects in world history, was born in 1508 and died in 1580. (That city was Thebes, the setting of Sophocles’ Oedipus Rex, with which the theatre was opened on March 3, 1585.) Above the arch there are four other statues, representing the values that guaranteed the victory and peace: Virtue, Faith, Piety, and Honour. Vincenzo Scamozzi, another prominent Vicentine architect, was called to complete the project. Also, he had to figure out how to support the floor of the great hall of the piano nobile. Dal 15 dicembre 1994 Vicenza appartiene al “Patrimonio dell’Umanità” dell’Unesco: un riconoscimento straordinario per la culla dell’architettura rinascimentale (e non solo), tra i centri italiani con il maggior numero di complessi monumentali in rapporto all’estensione. Giardini Salvi Famous examples include Lord Burlington and William Kent’s Chiswick House in London (1725-1729), Thomas Jefferson’s Monticello in Charlottesville, Virginia (1768-1809), and James Hoban’s White House in Washington, D.C. (1792-1800). I palazzi sono inseriti nel tessuto urbano della città medievale e creano un pittoresco insieme di stile gotico veneziano e classicismo … In the mid-19th century, his remains were moved to the Cimitero Maggiore, where the famous people of Vicenza rest. Vicenza tra palazzi antichi e vie del centro La culla dell’Architettura mondiale . The buildings are presented in chronological order. The visitors were so guided from the medieval to the classical surroundings. Such a superimposition was experimented by Palladio on the façades of several religious buildings, such as the Church of San Francesco della Vigna in Venice (1564), where the nave and the aisles are projected on the same plane, guaranteeing the integrity of the church’s interior and exterior. Because the theatre was virtually abandoned after a few productions, the stage set was left the way it was and is today in relatively good condition. Uncertain attribution to Andrea Palladio; planned and built after 1556. The columns on the ground floor of Palladio’s building are in Tuscan order. In fact, its owner was notary Pietro Cogollo, who had been forced by the town council to remodel the façade of his Quattrocento palazzo as a contribution to the ‘decorum of the town’ – a condition of their positive response to his request for Vicentine citizenship. Below the ancient vaults of the archeological area of the house, the marvellous vintage toys’ collection of the palace welcomes visitors of any age. Palladio è nato a Padova nel 1508, da una famiglia di umili origini, ed è morto a Maser nel 1580 in condizioni economiche modeste.A tredici anni ha iniziato a lavorare come apprendista scalpellino presso il laboratorio di Bartolomeo Cavazza e a studiare l’arte classica e la cultura figurativa di grandi artisti. It was commissioned by Iseppo da Porto. The entablature is high, too, decorated with oak garlands hung from the capitals, and pierced with windows in the manner of Baldassare Peruzzi (to give light to the rooms of the mezzanine). The villa has also been famous among writers. The Teatro Olimpico, one of the wonders of Vicenza, was the last design of Palladio. There are windows between the columns. There is no documentary evidence to suggest that Palladio designed the palazzo, but the intelligence seen in the plan and the design of the details make it difficult to refer to any other architect. It consists of a single hall, surrounded by a row of Corinthian semi-columns on high bases (cf. Architecture. To these he added two large windows and four oculi. Un mistero ancor più fitto avvolge la sua morte. The open space provided by this location was very unique among the palazzi of Palladio, which usually had a very restricted road perspective. From the mid-15th century also dates the original Palazzo della Ragione. Palladio placed the building on a podium, like an ancient temple, to underline its importance but also to protect it from frequent flooding. In the Quattro libri dell’architettura, the two blocks are interconnected by a majestic courtyard with four enormous composite columns. The dome is surrounded by a balcony and access corridors and corner rooms on two levels. Today the palazzo houses the art gallery of the city, with a collection ranging from the 13th to the 19th century, including works by artists such as Veronese, Tintoretto, and Tiepolo. This small palazzo stands in contrast with the more monumental palazzi that Palladio designed in Vicenza. Here one can both relive the lifestyle of a preeminent Renaissance family and walk into the golden age of the Venetian art. Andrea Palladio; planned in 1576, built in 1576-1580. 1. It is a reinterpretation of Bramante’s Palazzo Caprini, which Palladio had seen some years before in Rome. This solution was borrowed from the Porticus Octaviae in Rome and became a common feature in the villa architecture. To give breadth to the chapel, Palladio built two high apses on the sides. Attributed to Andrea Palladio; planned in 1559, built in 1559-1562. Andrea Palladio; planned in 1569, built in 1570-1575. Questa volta racconto una storia triste. The make-believe streets were made of wood and stucco imitating marble, and their lighting with glass oil lamps was carefully designed. This is one of the two palazzi that Palladio designed for the Porto family, one of the rich and powerful families of Vicenza. Follow your Agta guide and unlock the mind of the great architect: Palladio‘s drawings, books and models of his buildings are all on exhibit, just to show his unique and at the same time most imitated style. The palazzo was built on an islet, surrounded by the Retrone and Bacchiglione rivers and called Piazza dell’Isola (the Island Square). I took all the photos on November 29, 2016. Andrea Palladio; planned 1565, built 1566-1580. In 1960, it was sold by the Valmarana family to Vittor Luigi Braga Rosa. Andrea Palladio, Italian architect, regarded as the greatest architect of 16th-century northern Italy. The canon left the papal court in 1565, returned to Vicenza, and wanted to settle down in a quiet country house. Realizzato tra il 1562 e il 1593, il Palazzo costituisce un altissimo esempio del linguaggio cinquecentesco impostato a Vicenza dalla lezione di Andrea Palladio. Una storia dalle origini antiche, finita con le incursioni aeree della seconda guerra mondiale. Goethe, for example, visited it several times and said that Palladio had succeeded in designing a Greek temple suitable for living. Ask your Agta guide what is up now. The four-columned atrium shows Palladio’s knowledge of Vitruvian spaces. The current entrance faces the northwest portico. His most famous churches – the San Giorgio Maggiore and Il Redentore – can be found in Venice. Visualizza altre idee su palazzi, villa, andrea palladio. My portfolio contains photos of the most important buildings designed by Palladio in Vicenza. In 1580, when Palladio died, he was buried in this church. The dome of the cathedral is similar to some ancient temples with a central plan that Palladio had studied. The central columns were tied to the perimeter walls by fragments of rectilinear entablature, which absorb the irregularities of the atrium plan. palazzi in vendita Vicenza. Its rusticated look can be explained by the fact that it was inserted into the medieval city wall, located in front of the theatre. Your email address will not be published. It was quite a difficult job to do. In 1481-1494, local architect Tommaso Formenton surrounded the Palazzo della Ragione by a double order of columns. This place only reveals with the help of an expert Agta guide: indeed, the highlight of this amazing house is its collection of masterpieces by Canaletto, Francesco Guardi and Pietro Longhi. Originally, the main entrance was the one towards the river. The palace we see today was created from two buildings separated by the alley known as Do Rode (Due Ruote), probably in 1566, following upon a request by Vincenzo Pojana to the town of Vicenza in 1561.. Today the building is used by the town council of Vicenza. Diverse Palazzi von Palladio in Vicenza In Vicenzas Altstadt sind 23 Bauwerke von Palladio in die Welterbeliste aufgenommen worden. In 1481-1489 the church was significantly altered by Lorenzo da Bologna. Tradizionali visite guidate nel centro storico di Vicenza. Piazza Giacomo Matteotti 11 In addition to the dome and the north portal, the monument of Girolamo Bencucci, Bishop of Vaison, located in the cathedral, is attributed to Palladio (with Girolamo Pittoni, 1537). Your email address will not be published. Il mistero avvolge gli ultimi giorni della vita di Andrea di Pietro della Gondola, detto Palladio. Hundreds of miniature armies, rare dioramas, warships and trains wait for you to create fantastic stories and fictional travels. Le varie viuzze che circondano Corso Palladio, nel cuore del centro, fanno respirare un clima di storia, arte e cultura. Piazza dei Signori 1 In this way he achieved a framework capable of bearing the hall above it with no difficulty. Contrà Santa Maria Nova It also includes his most famous country villa, the Rotonda, which is located on the outskirts of the city. The building was completed in 1680. However, the direct referent for Palladio was the church of the Abbey of San Benedetto in Polirone (1539-1544). The frescoes were made by Alessandro and Giovanni Battista Maganza and Anselmo Canera. Partenza da Palazzo Chiericati - Orario: dalle ore 21. Piazza dei Signori The façade of the church is defined by four columns resting on a high plinth and supporting trabeations and a triangular tympanum. Il Codice di Palladio Caccia al tesoro urbana Piazza Matteotti e Centro storico. The façade of the palazzo stretches over nine bays, with the Ionic order on the ground floor and the Corinthian order with festoons on the piano nobile. Indeed, the Palazzo Chiericati tour also includes masterpieces by Giambattista Tiepolo, Paolo Veronese, Jacopo Tintoretto, Hans Memling, Antoon Van Dyck and many others. Ispirati attraverso le raccomandazioni su Palazzi a Vicenza di milioni di viaggiatori reali. Questa volta racconto le architetture e la distruzione del “Palazzo del Territorio di Vicenza” che per un soffio mancò il Teatro Olimpico, opera del grande architetto Andrea Palladio.. The stuccoes were made by Bartolomeo Ridolfi. It is located on the Piazza dei Signori opposite the Basilica Palladiana, which Palladio designed almost twenty years before and the construction of which was still in progress in the 1560s. Its shape and size, however, are the same as those of the Porta Reggia of the scaenae frons on the stage. Because of the conspicuous change in rhythm between the main and the side façade, with results that do not fall within the classical code, the building can be considered as Mannerist. It was also called Loggia Bernarda after Giovanni Battista Bernardo, the Venetian captain who commissioned it. He used two overlapping orders, a solution which had already been used by Baldassare Peruzzi in Palazzo Massimo alle Colonne in Rome (1532-1536), and by Andrea Moroni in the Old Courtyard of the Palazzo del Bo in Padua (1552), but which, in terms of expressiveness and elegance, can only be seen as properly born here. The lantern of the dome is very simple, without decorations, almost abstract, a feature that Palladio would use again on the Church of San Giorgio Maggiore in Venice in 1565. ". The church has a very rich artistic heritage, the most famous examples being the Baptism of Christ by Giovanni Bellini (1500-1502), and the Adoration of the Magi by Paolo Veronese (1573). The two rooms to the left of the atrium were frescoed by Paolo Veronese and Domenico Brusasorzi. These stand next to the Quattrocento house of the Porto family, which was originally destined to be demolished along with the construction of the new building. Andrea Palladio; planned in 1546-1549, built in 1549-1614. So the space between the windows is filled with a now barely visible fresco by Giovanni Antonio Fasolo. For more than a century the palazzo looked like the unfinished Palazzo Porto in Piazza Castello now. It was only in the late-1540s that a competition for the rejuvenation of the town hall was organised. Associazione guide turistiche autorizzate per Vicenza, provincia e Ville Venete, Scopri i tour specialiRITRATTO DI DONNAIl sogno degli anni Ventie lo sguardo di Ubaldo Oppi. The result is a sophisticated quotation of the tablinum of an ancient Roman house. During our tour, you will have the opportunity of exploring the permanent collection in deep, together with any temporary exhibitions that may be on display. The giant order of composite half-columns stands on socles higher than a human being. It was the first time that the dome was applied to a residential building. 13 D.LGS. Palladio’s addition is a repetitive structure in which round arches are flanked by two rectangular openings of different sizes, in order to match the variable size of the internal bay (because of the presence of an older building). La città di Vicenza e le ville palladiane del Veneto costituiscono un sito seriale che include la Città di Vicenza e 24 ville palladiane disseminate nel Veneto. The architect Palladio in Vicenza: Basilica Palladiana and the Palazzo Thiene 1/3 Andrea di Pietro, Palladio’s original name, was born in 1508. In order for each room to have some sun, the design was rotated 45° from the cardinal points of the compass. The palazzo was innovative in that its entire vertical expanse is embraced by a giant order. Finding inspiration from the architecture of the Roman Forum, he made the façade half-open, a suitable choice for the open space in front of it. Andrea Palladio; planned in 1566-1567, built in 1657-1605, and completed by Vincenzo Scamozzi. Andrea Palladio; planned in 1565, built in 1571-1572. These show one of the first examples of what has come to be known as the Palladian window (or the Serlian window, the serliana, or the Venetian window). The Cathedral suffered from heavy bombing during World War Two. It was intended as a meeting point for academics and intellectuals. Into the beautifully decorated rooms, another hidden gem is treasured: one of the most complete collections of vases from Magna Grecia, including the famous kalpis of the Leningrad painter. He subsequently become the architect of the city of Vicenza. This project seems to have been initiated immediately after the publication of Quattro libri dell’architettura in 1570, since its design does not appear in the book. Scamozzi undertook the work and designed the now-famous trompe-l’œil scenery. The main street of Vicenza is named after Andrea Palladio. The entrance way is between the service blocks, commissioned by the Capra brothers and built by Scamozzi. Andrea Palladio; planned in 1550, built in 1551-1557, completed in 1680. At least one perspective view can be seen from every seat in the auditorium. You will find the locations of the mentioned buildings on the map below: Contrà Porti 21 It is the oldest surviving stage set in existence. The material used was white stone from Piovene Rocchette. The Palazzo is worth the visit for its elegant frescoed interiors, its rich fine arts gallery and even for its mysterious Palladian undergrounds! It had already been used by Donato Bramante in the Basilica of Santa Maria del Popolo in Rome (1505-1510), and by Jacopo Sansovino in the Biblioteca Marciana in Venice (1537-1553). The construction of the villa took almost forty years to complete, and both the architect and his client died before they could see the work done. Many side chapels were added to it in the 15th century. When approaching the villa from this side, one might think that one is ascending from below to a temple on a hilltop. In the 1550s, canon Paolo Almerico invited Palladio to design the dome of the cathedral and a portal on the north side on the site of a chapel dedicated to St. John the Evangelist. Palazzo Chiericati is the most spectacular civilian residence designed by Palladio. L… The dome – planned in 1558 and built in 1558-1559 and 1564-1566; the north portal – planned in 1564 and built in 1564-1565. Attributed to Andrea Palladio; planned in 1578, built in 1588-1590. His villas are dotted over the Veneto countryside. The Rotonda was also designed to be in perfect harmony with the landscape. It is a pleasant piece of work by an artist that respected Palladio’s teachings, if not even by Palladio himself (even though strong reservations have been made against the latter hypothesis). On the bases of the statues the following Latin phrases can be found: ‘Palmam genuere carinae‘ (‘The ships determined the victory’) and ‘Belli secura quiesco‘ (‘Rest safe from the war’). Its architect was Giulio Romano, who had used the serlianas to absorb the differences in width of the spans of the pre-existing church. The surfaces between the columns are enlivened by shallow niches and blind windows. As a result, a Serlian window was born, just like in the loggias of the earlier Basilica. • Ca' d'Oro → Palazzo Caldogno Dal Toso Franceschini da Schio detto Ca' d'Oro Even though it occupies a very small space, it is a monumental work. Informativa ai sensi dell\u2019art. The design of the Teatro Olimpico is clearly inspired by Roman theatres as described by Vitruvius. The apses are harmonised with the central space from the base strip and the cornice, above which a cross vault rises. It is covered with copper plates and resembles an overturned hull. In contrast to the relatively small geographical area where his works are located, his teachings reached a wide international following in the following centuries, largely thanks to his Quattro libri dell’architettura (Four Books of Architecture). It was designed for Count Girolamo Chiericati, the commissioner of Palladio’s Basilica and his enthusiastic supporter. Both these theatres were based, to a large extent, on the Teatro Olimpico. In memoria dei Caduti The façade is composed of three bays, with the central bay projecting slightly. Eventually, only the block overlooking the street was completed. Le opere di Palladio riconosciute Patrimonio Mondiale consistono in 23 palazzi a Vicenza e 24 ville nel territorio circostante. Each façade has a projecting portico with steps leading up to it. ©VicenzaTourGuide 2016 | p. iva: 95067650242, THE VILLAS: Villa Godi and Villa Caldogno, THE VILLAS: Villa Pisani and Villa Pojana, THE PROSECCO ROAD: Villa Barbaro and Villa Emo, "Utilizziamo i cookie per migliorare la tua esperienza di navigazione sulle pagine di questo sito. These perspectives are extraordinarily realistic, even though in reality they only recede a few metres. Follow your Agta guide and unlock the mind of the great architect: Palladio‘s drawings, books and models of his buildings are all on exhibit, just to show his unique and at the same time most imitated style. In 1579 the Academy had obtained rights to build a permanent theatre on the site of an old fortress. Contrà Porti 21 Andrea Palladio; planned around 1546, built in 1546-1552. Contrà Porti 11 He designed it for the Vicentine nobleman Montano Barbarano. The interior is like the cella of an ancient temple. The porticoes consist of six Ionic columns that support the tympanums graced by the statues of classical deities. The trabeation features the inscription: ‘Jo Baptistae Bernardo Praefecto‘, to commemorate the commissioner of the building. Like most buildings in Vicenza designed by Palladio, it was left incomplete. Eventually, only three bays of the loggia were built instead of the five or seven initially planned. palazzi storici del centro Andrea Palladio, come sappiamo, ha lasciato il segno a Vicenza con diversi edifici e monumenti da lui progettati. All the rooms were proportioned with mathematical precision. Today, the Teatro Olimpico is one of only three Renaissance theatres remaining in existence, the other two being Vincenzo Scamozzi’s Teatro all’Antica in Sabbioneta (1588-1590) and Giovanni Battista Aleotti’s Teatro Farnese in Parma (1618). On both façades the bricks of the shafts of the columns are exposed, creating an interesting chromatic contrast. In Vicenza, Palladio had designed the portal of the Church of Santa Maria dei Servi (in 1531), the dome (in 1558) and the north portal (in 1564) of the Cathedral, and the Valmarana Chapel in the Church of Santa Corona (in 1576). Each portico opens via a small cabinet or corridor to the circular central hall, from which the name La Rotonda is derived. Two years later the south-western corner of the new structure collapsed. La Basilica Palladiana La Basilica,, fu l'opera che consacrò il genio del Palladio, nella Piazza dei Signori, l'antico Palazzo della Ragione, il tribunale di Vicenza. Its main façade consists of three large arches and a giant order of four semi-columns topped by big composite capitals. 30 giugno 2003 n.196. Required fields are marked *. Piazzetta Duomo The pompous Loggia stands in contrast with the plain Basilica. Young Andrea Palladio, working under the supervision of Giovanni di Giacomo da Porlezza at the time, won the competition. Its main façade, overlooking the Corso, is, on the ground floor as well as on the piano nobile, adorned with eight half-columns, which create a neat light and shade effect. This huge palazzo at the corner of the Piazza del Castello is one of the two palazzi of the Thiene family that Palladio worked on. And…..remember to descend the dungeon and experience the kids tour into the tunnels. It is not known why the patron, Alessandro da Porto, did not carry on with the project. This permitted him to mask the rotations necessary for the alignment of the columns and half-columns. The palazzo shows young Palladio’s acquaintance with both antique and contemporary architecture. Detta anche loggia Bernarda (dal capitanio Bernardo) Palazzi di Vicenza Casa Cogollo detta del Palladio (1) Palladio was working on the side chapels of the Venetian Church of the Redeemer (Il Redentore) at that time. Palladio departed from the model of the wings of the Theatre of Marcellus in Rome. The Church of Santa Maria Nova is the only complete church design in Vicenza attributed to Palladio. Six composite pilasters on a high ashlar base seem to be superimposed on a minor order of Corinthian pilasters, which frame the openings and decorative panels. In reality, such theatres already existed in several Italian cities before 1580. The façade displays an exuberant decoration of stucco and Istrian marble, obviously conceived for much bigger dimensions. Visite guidate "Palladio per mano e Palazzi dell'arte" Centro storico di Vicenza. Se la progettazione dell’edificio è sicuramente palladiana, il completamento venne realizzato con l’intervento di Vincenzo Scamozzi. The city of Vicenza houses his most famous city palaces and public buildings, such as the Basilica Palladiana and the Teatro Olimpico. The architect had to take into account the constraints posed by a narrow space and the impossibility of opening windows at the centre of the piano nobile (because of an existing fireplace and its flue). Palazzo Barbara da Porto is not only the house of the Palladio Museum, but also the headquarters of the Andrea Palladio International Center for Architecture Studies (aka CISA), which is a point of reference for the architects and scholars from all the world. Palazzo Chiericati was planned by Andrea Palladio as a private mansion for the wealthy Chiericati family. Visit with us the richest Palladian house ever designed in Vicenza: Palazzo Barbaran Da Porto, which now treasures the Palladio Museum.. The Basilica Palladiana was heavily bombed in World War Two. Andrea Palladio, attraverso un sapiente uso della serliana, che divenne poi una delle firme della sua opera, riuscì a unificare i vari palazzi che erano sorti disarmonicamente sulla piazza per ospitare varie istituzioni cittadine in un unico, perfetto, progetto unitario: la Basilica Palladiana.