Found insideErwin Panofsky’s Perspective as Symbolic Form is one of the great works of modern intellectual history, the legendary text that has dominated all art-historical and philosophical discussions on the topic of perspective in this century. Providing a fresh evaluation of Alberti’s text On Painting (1435), along with comparisons to various works of Nicholas Cusanus - particularly his Vision of God (1450) - this study reveals a shared epistemology of vision. This book focuses on a puzzling but ubiquitous feature of Renaissance art: continuous narrative, in which several episodes, each including the characters, are shown in a single space or setting. Found insideIn the first book to bring together recent thinking on perspective from such fields as art history, literary theory, aesthetics, psychology, and the history of mathematics, James Elkins leads us to a new understanding of how we talk about ... Linear perspective is not just a geometrical conception of how to conceive or present objects in a pictorial space; it's a thinking system, a philosophy of art, and a complicated structural and logical theorem of knowledge. Discusses the techniques, uses, and aesthetics of medieval drawings; and reproduces work from more than fifty manuscripts produced between the ninth and early fourteenth century. Dauben considers the general context in which Italian Renaissance science arose, and how the mathematics of Galileo Galilei's science was related to the great works of Renaissance Italian painters and architects. The Renaissance Artists with History Projects for Kids is one of a set of four books in the Renaissance for Kids series. Other titles in the series are The Renaissance Inventors, The Renaissance Thinkers, and The Renaissance Explorers. Using the metaphor of the mutual gaze, Belting narrates the encounter between science and art, Arab Baghdad and Renaissance Florence, that revolutionized Western culture. This book is about the development of optics and perspective between the fifteenth and seventeenth centuries. Dauben considers the general context in which Italian Renaissance science arose, and how the mathematics of Galileo Galilei's science was related to the great works of Renaissance Italian painters and architects. Found insideThis book contains a wealth of information that ranges from survival skills to social skills to advice on how to improve your character. Linear perspective is not just a geometrical conception of how to conceive or present objects in a pictorial space; it's a thinking system, a philosophy of art, and a complicated structural theorem. The creativity of the human mind was brilliantly displayed during the Florentine Renaissance when artists, mathematicians, astronomers, apothecaries, architects, and others embraced the interconnectedness of their disciplines. "Focuses primarliy on the social and historical context in which art was made and used"--Bibliographic essay (p. 326). This is the concern of this subject, is to demonstrate how the change from the 2 dimensional perceptions changed gradually to the 3 dimensional one. Edgerton shows how linear perspective emerged in early fifteenth-century Florence out of an artistic and religious context in which devout Christians longed for divine presence in their daily lives and ultimately undermined medieval ... "Using the graphic novel format, Perspective in Action features 33 easy-to-follow demonstrations to teach the major discoveries in perspective"-- With an interdisciplinary approach that encompasses the history of ideas, political history, cultural history and art history, this volume, in the successful Routledge Worlds series, offers a sweeping survey of Europe in the Renaissance, ... This book explores the areas of perspective, proportion, witness and theological threshold in the devotional art of the Italian Renaissance, with particular reference to the painted image of Christ. Linear perspective is not just a geometrical conception of how to conceive or present objects on a pictorial space; it's a system of thinking, a philosophy of art, and a complicated structural theorem. Readers learn about the artists and architects of the Renaissance and about the techniques they used to create some of the world's greatest masterpieces. An evaluative account of the rediscovery of geometric linear perspective in fifteenth-century Italy, the artists, architects, and mathematicians who studied and applied its principles, and its pervasive impact on Rennaissance and post ... A boy studies the background and work of the artists of the Italian Renaissance and how their discovery of how to depict perspective in painting spread to other parts of Europe This theory illuminates the author's broader consideration of the evolution of art: the book proposes a resolution of the debate between those who believe that the invention/discovery of perspective is a stage in the steady progress of art ... Looks at the history of perspective, shows how it is used to give depth to art, and discusses atmospheric perspective, anamorphic images, and perspective illusion. 1e dr. : 1994 Bibliografie : p. 340-357. - Met reg. Description of patronage in the 'quatrocento' in Florence, Venice, the Italian courts, and Rome. This book explores key themes in the making of Renaissance painting, sculpture, architecture, and prints: the use of specific techniques and materials, theory and practice, change and continuity in artistic procedures, conventions and ... Dauben considers the general context in which Italian Renaissance science arose, and how the mathematics of Galileo Galilei's science was related to the great works of Renaissance Italian painters and architects. The principal repository of da Vinci's practical thoughts on the technique of drawing and painting. Advanced students will want to consult this book, but it is not clear who needs at this point to be warned about the existence of "patriarchal orthodoxy'' in the imagery of the art in this, among other, periods--or who could ever be ... Combining detailed historical studies with broad theoretical and philosophical investigations, this book challenges basic assumptions about the way early modern artists and theorists represented their relationship to the visible world and ... These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. This is a facsimile (in black and white) of De Divina Proportione ("On the Divine Proportion"), printed June 1st 1509 in Venice, of which only two copies reached our XXIth century. Linear perspective is not just a geometrical conception of how to conceive or present objects on a pictorial space; it's a system of thinking, a philosophy of art, and a complicated structural theorem. The scientific endeavour of the time has received considerably less attention. This original book examines the range of meaning that has been attached to the male backside in Renaissance art and culture, the transformation of the base connotation of the image to high art, and the question of homoerotic impulses or ... Found insideThis 1991 book is a collection of writings by early Reformation radicals which illustrates both the diversity and the areas of agreement in their political thinking. Found insideIn this richly illustrated book, William Wallace tells for the first time the full story of Michelangelo's final two decades—and of how the artist transformed himself into one of the greatest architects of the Renaissance. It also pays attention, unprecedented for its time, to theoretical issues. This edition, introduced by the scholar Jill Burke, includes thirty pages of color illustrations covering the entire span of Raphael’s oeuvre. This book takes us through streets, into chapels, over bridges, up grand stairways, into vast halls, and through small, domestic spaces. The focus here is about the new perception of pictorial space that was elaborated in the early renaissance by Italian painters and applied later in architecture, astronomy, and cartography, then in physic by the sixteen century with Galilee ... Works in the Museum's collection that embody the Renaissance interest in classical learning, fame, and beautiful objects are illustrated and discussed in this resource and will help educators introduce the richness and diversity of ... Leon Battista Alberti: On Painting is a cardinal work that revolutionized Western art. In this volume Rocco Sinisgalli presents a new English translation and critical examination of Alberti's seminal text. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. 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